Norwegian-born Danish Painter, 1851-1909 Norwegian-Danish painter, was born in Stavanger, Norway to Ellen Cecilie Gjesdal. He is one of the best known and beloved, and undeniably the most colorful of the Skagen Painters, a community of Danish and Nordic artists who lived, gathered or worked in Skagen, Denmark, especially during the final decades of the 1800s. Krøyer was the unofficial leader of the group. The mother having been judged unfit, he was given to be cared for by Gjesdal's sister and the sister's husband. Along with the foster parents, he moved to Copenhagen soon afterwards. He began his art education at nine years of age under private tutelage, and was enrolled in Copenhagen's Technical Institute the following year. In 1870 at the age of 19 he completed his studies at the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi), where he studied with Frederik Vermehren. In 1873 he was awarded the gold medal and a scholarship. His official debut as a painter was in 1871 at Charlottenborg with a portrait of a friend, painter Frans Schwartz. He exhibited regularly at Charlottenborg throughout his lifetime. In 1874 Heinrich Hirschsprung bought his first painting from Krøyer,  Related Paintings of Peder Severin Kroyer :. | Marie Kroyer in a Deckchair | Georg Brandes | Summer Evening on the Skagen Beach The Artist and hs Wife (nn02) | marine, september | Little girl standing on Skagen's southern Beach |
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Fritz von Uhde
German, 1848-1911 was a German painter of genre and religious subjects. His style lay between Realism and .Uhde was born in Wolkenburg, Saxony. In 1866 he was admitted to the Academy of Fine Arts in Dresden, but later that year he left his studies for military service, and from 1867 to 1877 he was a professor of horsemanship to the regiment of the assembled guard. He moved to Munich in 1877 to attend the Academy of Fine Arts. In Munich he particularly admired the Dutch old masters, and in 1879 he travelled to Paris where his studies of the Dutch painters continued under Mihely Munkecsy's supervision. In 1882 a journey to Holland brought about a change in his style, as he abandoned the dark chiaroscuro he had learned in Munich in favor of a colorism informed by the works of the French Impressionists. His work was often rejected by the official art criticism, and by the public, because his representations of ordinary scenes were considered vulagar or ugly. The critic Otto Julius Bierbaum was more sympathetic; in 1893, he wrote, "As a painter of children, for example, Uhde is extraordinarily distinguished. He does not depict them as sweetly as used to be popular; in other words not as amusing or charming dolls, but with extreme, very strict naturalness." In about 1890, Uhde became a professor at the Academy of Fine Arts in Munich.
Michiel Sittow
Estonian 1468-1525 Michiel Sittow Gallery
Federico Barocci
Italian Mannerist/Baroque Era Painter, ca.1535-1612